Claude Darras - L e Provençal 1997

Jean Marie Deschamp chose Carpentras to expose his most beautiful paintings. It is at the Gallery sign that the public is invited to discover. None of his paintings are dated. Jean Marie Deschamp has that make a story written by bailiffs. The public and gallery owners are invited to order themselves the chronology of its creation. Thus exposure of Carpentras comtadine capital where this compatriot Nicolas Poussin continues the exploration of a work so far of the commonplaces and cults easy - presents itself as the memory of the countless sketches - things and women, light and colours - he engaged for twenty-five years to arrive at the timewhere to extasiait Henry Matisse, handmade sings her even. Awaken in research if, in badaudant at the foot of the rails of the beautiful Gallery sign a visitor finds echo the ancient vision of a disturbing maternity or an anonymous portrait is a connection has occurred; but are largely due to the observer, she serves him for its own purposes. Jean Marie Deschamp considers that for each visitor, the connection is different.As Marcel Duchamp, saidit is the spectator who made the paintings . But, instead of consolidating the faith, the painter chooses to awaken to the research. Instead to fortify a reason, a principle, it grows to the critical spirit, to methodical doubt, to lucidity. Gathering, Jeannie? Not terribly demanding.And his painting looks like him, which is unforgivable in released eras. Claude Darras. Jean Marie Deschamp thing Carpentras to exposes his more beautiful fabrics. It is with the sign gallery that the public is invited to discover them. None of its paintings is dated. Jean Marie Deschamp has to only make of a history written by ushers. The public and the galerists are invited to order themselves the chronology of his creation. Thus the exposure of Carpentras capital the comtadine where this compatriot of Nicolas Poussin continues the exploration of a work so far away from the commonplaces and worships easy has presented like the memory of the innumerable drafts - things and women, light and colors – to which it is delivered for twenty-five years to arrive at the point where extasiait itself Henry Matisse, the hand even sings of it '. " To wake up with research If, while badaudant with the foot of the ogee mouldings of the beautiful sign gallery a visitor finds the echo with the ancient vision of a disconcerting maternity or of an anonymous portrait it is a connection that occurred; purpose being largely the fact of the observer, it is useful to him at its own ends. Jean Marie Deschamp considers that for each visitor, connection is different. As Marcel Duchamp said it, / '' it is the spectator who makes the tables ''. But, instead of consolidating the faith, the painter chooses to wake up with research. Instead of strengthening has reason, a principle, it leads with the critical spirit, the methodical doubt, clearness. Gathering, Jeannie? Not terribly demanding. Sels painting resembles to him, which is unforgivable in the slackened times. Claude Darras.